Beware the audio phile – audio recording can get very involved – feedback from those who spend weeks mastering a track may not be relevant – ask yourself is this good enough for someone listening on an iPod or at their PC?
Beware the audio file – investigate the quality settings on your chosen recording / editing software – in general record in as a high a quality as possible, mix it down so that final file sizes are about 1MB per minute for the audio.
One voice or two – listening to a monologue can be monotonous over an extended period of time. It is much easier on the ear to listen to a conversation, preferably with a male and female voice.
Be natural – use your normal voice while recording, as any affectation will be picked up by the sound recording and will be difficult for you to maintain over time, so get used to the sound of your recorded voice. Pause, don’t ummm.
Prepare for your podcast – either script every word or have a detailed running order for your recording and notes of what you want to say, as this enables you to concentrate on your delivery.
Read it out loud – words that make sense on a page, may not do so when read out loud. Keep sentences short. Allow for breathing. Similar sounds seem silly in the same space. Check it by reading it out loud yourself.
Sound quality – record the best quality sound you can, use a pop filter if you are recording at a desk, be careful where you place the microphone and avoid setting your recording level too high as the sound will clip or distort.
Music – fade in/outs, stingers between segments and a theme tune can make your podcast sound more professional, but will add to the editing time. Resist the temptation to use a track from your favourite album, as you don’t own the copyright.
Be aware of your environment – a high ceiling in a large open room will create an echo, similarly a small bathroom will produce sound reflections, so scout your potential locations in advance and take a test recording.
Noise is everywhere – there is a lot of ambient noise in the world around us that we get used to – computers whirring away, traffic going past etc. – this may be useful colour in some podcasts e.g. a sound-seeing tour, but not for others.
Practice with your equipment – don’t waste your own time by not knowing how to work your recorder, or by setting the level on your microphone is too high, know how your kit works.
Take two – try to get more than one take of a recording, as this gives you more choices while editing. Re-recording later will be very tricky, as you won’t match the sound levels exactly.
Test your results – the sound levels on your PC or recording kit are not the same as those elsewhere – once you have a finished a recording, listen to it on another PC or an mp3 player to see if it sounds OK.
The Science of Listener Attention
My Podcasting life … or the reverse Obama effect
Intute: Social Sciences podcast archive
Delicious links on podcasting